Satan As A Tragic Hero Essay - 722 Words

DeRosas 1 Sundi M. DeRosas Professor Julie Roth ENGL.2322.W31C 6 December, 2015 Satan as a tragic hero In the poem of ?Paradise Lost? written by John Milton, Satan is thought of as a tragic hero because he is perceived as a strong leader to the fallen angels and has tremendous importance. He struggles to overcome his apprehensions and choses to dedicate him to evil. He lacks strength to accomplish his goal of corrupting mankind. Satan becomes unable to judge God?s grace and is not able to find a way of making his past right. Therefore, he is punished by being condemned to eternal Hell. In the beginning of ?Paradise Lost?, Milton draws the reader to Satan by his very seductive ways and lures them to believe he is an innocent victim by his cunning character. The reader sees Satan as having attributes of a hero because we see him through his eyes. His evil is brought to human level and one may feel compelled to understand him. We begin to sympathize with him against our will and realize just how seductive evil really is and not to succumb to it. Satan shares his pain and alienatio n as he reaches Earth. The reader can identify with him and therefore feels sympathetic towards him. Many tragic heroes begin their journey because of self-assurance and pride and are not prosperous in the end. Satan obtains a struggle within him and questions God?s relationship with the angels in Heaven and doesn?t believe God should be above everyone else. He has manyShow MoreRelatedParadise Lost: Is Satan a Tragic Hero? Essay1473 Words   |  6 PagesIn Miltons Paradise Lost, he writes the story of the fall of Satan, his followers, and mankind. Many critics often view Satan as the unlikely or tragic hero of the epic poem. Satan is, obviously, the main character throughout most of the poem, but not necessarily the hero. Satans main purpose is to fight G-d, and try to be on the same level as Him. The important thing is to realize that Satan is sin, and being humans, who are all born into sin, we can easily relate to a sinful character. G-dRead MoreCharacteristics Of Satan In Paradise Lost1029 Words   |  5 Pagesclassic epic poem that describes the fall of Satan and the expulsion of Adam and Eve from Paradise. Throughout the poem, Milton portrays Satan in a way that makes him tragically attractive to humans. Satan appears to be the protagonist of Paradise Lost and has several traits in which readers can identify with. Not only is Satan a tragic hero in the literature, but also he is also the main character in the plot and portrays many flawed human qualities. Because Satan is a fallen angel from the kingdom ofRead MoreIs Satan A Hero Or Villain?1258 Words   |  6 PagesIs Satan a Hero or a Villain? An Analysis of Milton’s Paradise Lost The heroic qualities of Satan in John Milton’s Paradise Lost are overwhelmingly masked by his ‘satanic’ and villainous acts which qualify his character to fall into a category of villain rather than hero. Paradise Lost is an epic poem and like all epic poems, requires an epic hero with a tragic flaw. The tragic flaws of Satan are too prominent and effectual to call him an epic hero, but rather these flaws, or evil characteristicsRead MoreAnalysis Of John Milton s Paradise Lost1442 Words   |  6 PagesParadise Lost There are many definitions of a hero, and establishing the hero in John Milton’s Paradise Lost has been object to scholarly debate. One definition of a hero is that by Aristotle, who defined a hero as a person who is divine and superhuman. However, other definitions encompass the aspect of virtue in heroism. Despite all the definitions for a hero, it remains factual that a hero would be someone that the readers would delight in relating to. A hero is an object of admiration and it would makeRead MoreJesus: The Tragic Hero Essay830 Words   |  4 Pagesforetold of him, an unusual birth, an attempt made on his life, is exiled, goes on a quest, has his people turn on him, dies on hill, and has a mystery surrounding his death. Most of all, he is unique. These elements provide evidence of Jesus being a tragic hero. Jesus has several prophecies foretold about him, one of which would be that, â€Å"Behold, the virgin shall conceive and bear a Son, and shall call His name Immanuel. (Isaiah 7:14)† He was born to a virgin, Saint Mary, and conceived through the HolyRead MoreSatan As A Hero And A Villain916 Words   |  4 PagesSatan as a Hero and a Villain (Analysis of Satan in John Milton’s Paradise Lost) John Milton created Paradise Lost out of twelve books of well constructed poetry. A poem depicting and going into detail of the story of Adam and Eve, man’s creation and fall. The poem focuses on the actions of one particular character, Satan. Milton introduces his readers to Satan in Book I as a hero, trying to get revenge against God for throwing him out of Heaven, being banished to Hell. But as Satan carries on withRead MoreJohn Milton: A View of Evil vs. Ignorance Essay797 Words   |  4 PagesWhen a person hears Satan, a streak of fear, and the thought of evil arises. People fear Satan, and think of him as evil, but in John Milton’s Paradise Lost, he displays a thought of the Father being the evil being, and Satan a tragic hero. In Paradise Lost, Book 1 and 2, the minor areas where God is shown, He is displayed as hypocritical. He contradicts himself by creating the humans to be of free will, but when Satan displays free will, he is shunned. Satan could be describ ed in many terms, andRead MoreSatan as a Hero Essay1433 Words   |  6 Pagespoem that describes the fall of Satan and the expulsion of Adam and Eve from Paradise. Satan is the protagonist of Paradise Lost and has several characteristics in which readers may identify with him. Throughout the poem, Satan is not only a tragic hero but also the key character that drives the plot and portrays many flawed human qualities. As an angel fallen from the high esteem of God and a possessor of hubris that leads to his downfall, he represents a tragic hero but also a character in whichRead MorePortrayal Of Satan As A Hero1111 Words   |  5 PagesDecember, 2015 Milton?s Portrayal of Satan as a Hero In the poem of ?Paradise Lost?, critics disagree with Milton for portraying Satan as a hero, while many oppose it; others view it as Milton?s style. Even-though within the poem Milton carries the same moral concepts and ambiguity of Satan?s heroism which has been a topic of discussion for more than three centuries (Murphy). Aristotle?s idea of hamartia to a reading of ?Paradise Lost? is rational of that of Satan, because he is perceived as a strongRead MoreAnalysis Of John Milton s Paradise Lost 1606 Words   |  7 Pagestwo, four and nine of Paradise Lost, Milton portrays Satan as heroic, introducing freedom and reason to the minds and lives of humanity. Satan allows his subservient fallen angels, as well as Adam and eve to recognize authority, reason and the true meaning of freedom. The beginning of the story is told through Satan’s point of view, making him the first empathetic character the reader is introduced to. From the very beginning of Book One, Satan explains how him and other fellow angels waged a war

Susan Brownell Anthony The Greatest Woman Of American...

Susan Brownell Anthony was one of the greatest women in American history. Her story of trial shows the struggles of American women in the 19th and 20th centuries. Without her acts of courage, women may still not be able to vote. Anthony’s persistence and perseverance eventually pushed our government to add the 19th amendment the U.S. Constitution. Susan B. Anthony was born on February 15th, 1820 in the small town of Adams, Massachusetts as the 2nd child of 8 children born to Daniel and Lucy Read Anthony. Susan was the 2nd oldest child in her family though two of the Anthony children did not make it to adulthood. One died at the age of two though the causes of the death are unknown, and the other was stillborn. Her siblings’ names were Guelma Penn Anthony, Hannah E. Anthony, Mary Stafford Anthony, Eliza Tefft Anthony, Jacob Merrit Anthony, and Daniel Read Anthony. The Anthony’s did not have any domesticated pets, but being on a farm, they had livestock. Their fath er, Daniel Anthony, was a cotton farmer and was very religious. He taught his children to show their love for God by working to help other people. This was most likely the beginning of Susan’s draw towards political issues. Her mother, Lucy Read Anthony was very shy and kept to herself. This is very strange because she loved to sing and dance. Once she married Daniel, though, she had to give up singing and dancing due to a belief in the Quaker faith in which she had to adopt. The day before her wedding she throughShow MoreRelatedWomen Activists Essay example1126 Words   |  5 PagesIn American history women were not given as many rights as men were. They were treated unfairly because of their gender. Throughout American history there were American women who took a stand and fought for women’s rights. Who were some American women right’s activists in American History that stood up for themselves and other women in throughout America? One women activist was Susan Brownell Anthony who was born February 15, 1820 in South Adams, Massachusetts (â€Å"Susan B. Anthony†). Susan B. AnthonyRead MoreThe Woman Who Dared Of Vote1928 Words   |  8 PagesThe Woman Who Dared to Vote On November 5, 1872, in Rochester, New York in a barber shop a woman by the name of Susan Brownell Anthony had the satisfaction of seeing her ballot for the presidential election be added to the ballot box. Just this one action of a woman caused a great uproar, multiple protests, an arrest, a trial that will be remembered for years to come, and a fine of $100-one that will never be paid. On February 15th, 1820 Susan B. Anthony was born to Daniel and Lucy Read Anthony inRead MoreDeveloping Management Skills404131 Words   |  1617 Pagesfor their work on the chapter on managing conflict; Cathy German of Miami University for her assistance in revising Supplement A, and John Tropman, University of Michigan, for taking the lead in revising Supplement C. Special thanks are also due to Susan Schor, Joseph Seltzer, and James Smither for writing the SSS Software In-Basket Exercise. Our long-time collaboration with Sue Campbell-Clark has been particularly fruitful and we anticipate that our work with Jeff Thompson, Brigham Young University

Bite Me A Love Story Chapter 16 Free Essays

string(70) " noonday sun as they watched a dark knife of a yacht glide into dock\." 16. Being the Chronicles of Abby Normal, Nosferatu Well, that was dramatic. Ronnie is all crying and cowering in the other room because I drank a little of her blood. We will write a custom essay sample on Bite Me: A Love Story Chapter 16 or any similar topic only for you Order Now Fuck’s sakes, you mopey emo-toy, cowboy the fuck up, you have quarts! What did she expect, she got to kill me, that’s not free? I’m not like some easy death slut who lets you kill her for nothing, I am nosferatu, bee-yotch. That shit has a price. Her blood totally tastes like zit cream, too. I almost hurled. I know, trs cool, non? So, now that I am a dark and beautiful creature of unspeakable evil, I think I’m going to start a pay-subscription blog. Except I can only, like, advertise darkness and unspeakable evil, because I’m totally starting from the beginning on the beauty. First, all my tattoos are totally gone. Gone! Like wiped off. After I succumbed to the dark gift by taking a whole bottle of the Motherbot’s sleeping pills, Ronnie hid me under a pile of blankets and stuffed animals in her room, and when I awoke at sundown and crawled from my sepulcher of Carebears and Muppets and whatnot, all my tats totally wiped off. Like the ink was pushed out on top of my skin. Now Ronnie has an Epileptic Elmo with more of my ink on him than I have. And my piercings healed up. My bars and rings are all in the carpet. Boobs? Still pathetic. I had so hoped to swoop down on Foo and totally flash my awesome vampyre cleavage on him. You know, like put on a bustier and really squish the girls out the top, then be all: BAM! â€Å"Check it out, Foo. Cower before killer dcolletage, and beg me to let you rub your handsome ninja face on it.† But no! Now he’ll be all, â€Å"Oh, it looks like you dropped a couple of dimes down your shirt, vamp child. Can I help you with those?† So I suffer. And you can’t get implants. I saw what happens when the Animals’ blue hooker turned vampyre. You wake up and your implants are on the floor and you’re all, â€Å"Hey, I blew like a hundred strangers to get those.† I’m only estimating. I’m sure the number of strangers will vary depending on prevailing suck and surgical rates in your area. (You acquire arcane medical knowledge when your mother is a nurse.) You can’t have stuff removed either, you know, if that might be needed. Even my makeup is ruined from where Ronnie tried to smother me with a pillow, so that’s going to take like an hour to fix. I had heard that sometimes even when you overdose on a whole butt-load of drugs, you don’t always die because your heart won’t stop, which is why you’re supposed to put your head in a plastic bag. But I didn’t want to because I had done Cleopatra eye makeup that was trs elegant so I would look hawt for my resurrection. So Ronnie was supposed to put her hand over my mouth and nose, just until I stopped breathing, then like fix my lipstick if it smeared. Because otherwise I’d be all girlfriend in a coma for weeks while the Motherbot whined about how she couldn’t unplug me because of her guilt for treating me like an assbag and how she had never appreciated my dark complexity and inner beauty and whatnot, and I have too much shit to do for that. But Ronnie didn’t even wait for me to pass out. I had just taken the pills with some Sunny D (because the nosferatu love us some irony), and I laid down on the floor like we had planned, so Ronnie could just roll my body under the bed to hide me from the deadly rays of the sun and Mom. So I’m grieving for the loss of my mortality and whatnot, when Ronnie, like, just throws a pillow on my face and sits on it. And I’m all, â€Å"Wait, wait, mmphff, mmphf.† And then she burned one-right in my face-one of those foul, vegan farts-because she’s been a vegan ever since she had head lice and we shaved her head. (I don’t know why. Something about garlic and parasites. She’s insane.) ‘Kayso, I decided that I could wait to receive the dark gift, and that Ronnie would have to die as soon as I got her off me. So she, like, burns another one! And she’s skinnier than me. I don’t know how she could even have it in her. And she’s laughing so hard that she falls off of me and I make my move. ‘Kayso, I’m chasing her around the house, going, â€Å"I’m going to peel off your skin and make it into boots and step in dog shit with them,† and other basic super-villain threats, and then things got all wiggly and the last thing I remember is I walked into the sliding glass doors to the balcony and kind of bounced off. And so tragically, I died young, and no one was there to grieve for me or shed tears for me or kiss my cold, lifeless lips and whatnot. But now I’m undead awesome. I think with practice, I will make a super, super-villain, and really, I’m okay with that, because there won’t be any student loans like there would have been with my other career choice of tragic romantic poet. ‘Kayso, now I must fix my makeup and pick an ensem and then wander the lonely night, searching for the Countess and the vampyre Flood, and maybe drop by the love lair to totally overwhelm Foo with my haunting and eternal but still small-chested beauty. Kthxbye. Being immortal rocks! I can type like demon speed! Fear me! L8z. THE EMPEROR The Emperor and the men shared a submarine sandwich on a bench by Pier Nine in the bright noonday sun as they watched a dark knife of a yacht glide into dock. You read "Bite Me: A Love Story Chapter 16" in category "Essay examples" She was just short of the length of a football field, all black, with stainless-steel trim-what the Emperor imagined a star-ship might look like if it were driven by sails. The sails on her three stainless-steel masts were mechanically furled into black carbon fiber shrouds, and the curved windows of her cockpit and cabin were blacked out. There were no crewmen on the deck. In all his years on and around the sea, the Emperor had never seen anything like it. Bummer flattened his ears and growled. â€Å"Easy, little one, it’s only a sailing ship, and a beautiful one at that,† said the Emperor, although he thought it quite strange that there was no crew on deck to secure the mooring lines. A ship of that size, and more important, of that expense, would usually have half a dozen or more tying her up, but once parallel with the dock, attitude jets along the sides opened in the hull and gently pushed her into the dock. Jets on the far side pushed back so she stopped within six inches and hovered there, the jets firing just as needed to keep her from drifting. Three hundred feet of steel and carbon fiber, probably over twelve hundred tons, parked as easily and somewhat more smoothly than a Mini Cooper at a strip mall. Bummer ran to the edge of the breakwater and let loose with machine-gun volley of yapping, which translated, â€Å"Bad boat, bad boat, bad boat, bad boat.† A barking fit from his bug-eyed companion was nothing out of the ordinary, and normally the Emperor would have let it pass with a calming word, but there was still half a submarine sandwich to be eaten, and something had to be very much amiss for Bummer to leave the scene of a sandwich. Now Lazarus sniffed the chill wind coming off the Bay and whimpered, and tossed his head, then looked back at the Emperor, which translated from dog to, â€Å"Smells undead, boss.† The Emperor didn’t understand what his companions were saying to him, but he suspected. He just wasn’t ready to hear it. It had only been a few hours since the two police inspectors had dropped him off at the St. Francis Yacht Club, where the members allowed him and the men the use of the outer showers, and one of the members had purchased this lovely sandwich and presented it to them in thanks for their service to the City. Only an hour since he’d actually managed to straighten his neck out, after spending the better part of a night upside-down in a barrel. And only now, after a walk along the waterfront and a good meal, was the pain in his knees and shoulders starting to subside. He wasn’t ready to go back into battle. â€Å"I am a selfish old man,† he said to the men. â€Å"A coward, worried for my own comfort, when my people are threatened. I am afraid.† But even as he said it, he was rising on his creaky knees, pushing himself up on the walking stick he’d retrieved only this morning from the Yacht Club, where he’d left it for safekeeping. The handle was carved out of ivory into the shape of a polar bear, and it fit the Emperor’s hand like it had been made for him, although it had been a gift from a nice young man named Asher, who owned the secondhand store in North Beach, but that’s another story. He wished there had been a blade in it, like the cane young Asher carried. Alas, he would have to face the black ship with only a stick, a sandwich, and his intrepid furry companions. He puffed himself blowfish style and headed up the dock, Bummer and Lazarus following along behind him, ears lowered, trailing a two-part growling harmony. A few people had gathered along the fence at the breakwater, and were pointing to the great ship. It wasn’t so unusual that one might bring his day to a full halt, but if you were in the middle of a run or a brisk walk and needed a reason for a pause, the black ship would certainly fire the imagination long enough for you to catch your breath. Once at the ship, the Emperor was unsure of what to do. There was really no reason beyond Bummer’s behavior to justify boarding her. And this ship was not of his city, therefore he could not claim dominion over it. He could hear the attitude jets firing just under the water, sporadically, to keep the ship in place. It was only a step, albeit a long step, and he’d be standing on the deck at her prow. Perhaps, having made the leap, a further course of action would occur to him. He backed up on the dock to take a run at it, or as much of a run as his advanced age and boiler-tank bulk would allow him, but as he announced â€Å"two† on his count-down to launch, a tanned face surrounded by a tangle of blond dreadlocks popped up over the rail of the cockpit and a young man called, â€Å"Irie, mi crusty uncle, bringing us the jammin’ grinds, yeah? I and I tanks ye colossal, but please to be waiting on the dock.† And the Emperor stopped. Bummer and Lazarus even stopped growling and sat and turned their heads in the manner of a doggie listening for a â€Å"food† word amid a recitation of The Iliad. The young man vaulted over the black cowling of the cockpit and landed on the lower deck, his bare feet barely making a thump. He was lean and muscular, tanned a caf au lait color, with a tattoo of a humpback whale on his right pectoral muscle. He wore board shorts, despite the chill Bay air, a gold ring in his nose, and a series of them chasing down the rim of each ear. His dreadlocks fanned out around his head and shoulders as if they might be sun serpents looking for a way to escape. He leapt the gap to the dock, dazzled a blindingly white grin, and snatched the remains of the sandwich out of the Emperor’s hand. â€Å"Ah, Jah’s love on ye, Uncle, bringing de rippin’ grinds to I’n’I after so long at sea.† Bummer barked and growled. The Rasta-blond had their sandwich. â€Å"Ah, me doggie, dreadies,† said the Rasta. â€Å"Jah’s blessings on ye.† He knelt and scratched Bummer behind the ears. The stranger smelled of coconut oil, weed, and the undead, and Bummer was going to bite him as soon as he was finished having his ears scratched. â€Å"I’n’I be Pelekekona Keohokalole. Call him Kona, for short. Pirate Captain and lion of the briny science, don’t cha know?† â€Å"I am the Emperor of San Francisco, protector of Alcatraz, Sausalito, and Treasure Island,† said the Emperor, who couldn’t bring himself to be impolite to the smiling stranger, despite the black ship. â€Å"Welcome to my city.† â€Å"Ah, many tanks, Bruddah. Much respek on you, yeah? But you can’t be going on that Raven ship, no. She kill you, brah. Automatic-kine kill. Dead, dead, too. Not walkin’ around dead like them below.† â€Å"It goes without saying,† said the Emperor. FOO DOG The rats had been up and moving for about an hour when Foo heard the key in the front door. He put the soldering iron he was using in the wire holder and was turning toward the door when she was on him. He felt his vertebrae crack as her legs wrapped around him and he went over backward. Something caught the back of his head and something wet and coppery was shoved into his mouth: tongue. Panic vibrated through him and he felt he might suffocate, but then the smell: a mix of sandalwood perfume, clove cigarettes, and caff latte. Amid the panic, he’d sprung a first-rate erection, which he thrust against his attacker in defense. She pushed away and twisted up a handful of his shirt-front as he gasped for breath. â€Å"Rawr!† she rawred. â€Å"I missed you,† said Foo. â€Å"Your suffering has only begun,† Abby said. She wore a red tartan miniskirt over a black leotard with a low swooping neckline, a spiked dog collar, and her lime-green Converse Chuck Taylors, which she sometimes referred to as her â€Å"forbidden love Chucks† for no reason that he could ever figure out. â€Å"You’re kind of crushing my ribs.† â€Å"That is because I am nosssssss-feratu and my powers are legion and stuff! Trs cool, huh?† Foo realized then that she had actually done it-she had somehow managed to change herself into a vampire. Her nose, eyebrow, and lip rings were gone, the piercings healed. The spider tattoo on her neck was gone as well. â€Å"How?† he asked, immediately trying to calculate her odds of survival. He’d talked to her yesterday on the phone and he was sure she would have mentioned the transition if she’d made it already, so she was in her first twenty-four hours. She might still be one of the ones who went insane and self-destructed, and even though Abby was short neither on insanity or self-destruction, it didn’t mean he shouldn’t try to save her. She kissed him again, hard, and as nice as it felt, he was hyper aware of whether she had broken the skin on his lips, or hers. So far, so good. She pushed him back, but then caught the back of his head again so it didn’t bang the floor. She actually seemed a little more considerate now that she was dead, although not that much quieter. â€Å"Be patient, my love ninja, I will use you like the delicious manga-haired man-whore that you are, but first we have to try out my powers. Let some of the rats out of their cages and I will command them with my vampire psychic thoughts. I’ll see if I can get them to clean the kitchen.† Okay, maybe they weren’t out of the insanity woods quite yet, Foo thought. He said, â€Å"Yes, and then we’ll see if we can get bluebirds to tie a ribbon in your hair.† â€Å"Snark not, Foo! You must obey me! I am the Countess Abigail Von Normal, queen bitch of the night, and you are my groveling sex slave!† â€Å"Are you a countess or a queen? You said both.† â€Å"Shut up, grommet, before I suck you dry!† â€Å"Okay,† said Foo. A wise man picks his battles. â€Å"Not that way, Foo. I mean that I will dominate you and you will do my bidding!† â€Å"Which will be different from any other day, how?† â€Å"Cease your banality and nerdardious questions, Foo. You are totally harshing my heady power over the night.† â€Å"It sounds like you bought a flashlight.† â€Å"That’s it. I am going to beat your ninja ass.† She leapt off of him and made the â€Å"crouching tiger, rip your heart out† kung-fu posture that everyone who has seen a martial arts movie knows. â€Å"Wait! Wait! Wait!† â€Å"‘Kay,† said Abby, relaxing to the much less dangerous â€Å"slouching tiger chillin’ with a bag of Cheetos† stance, which is known by all who have ever snacked. â€Å"You need to feed, get your strength up first,† said Foo. â€Å"You’re a vampire noob. You need to grow into your powers.† â€Å"Ha,† said Abby. â€Å"You speak like a mortal who can’t possibly grasp the depth of the dark gift. I jumped over a car on the way here. And I totally ran faster than the F train. My Chucks are still warm with residual speediness. Go ahead, feel them. Lick them, if you must. Even now I can see this aura thing around you, which is like bright pink, and doesn’t go with your fly hair and manly bulge.† Foo looked down. Yes, his bulge was betraying him. He said, â€Å"You should take it slow, Abby.† â€Å"Oh yeah, watch this!† In an instant she was across the loft at the kitchen counter, and in another instant she had shot back across the living room and hit the plywood covering the windows. There was nothing Foo could do. She might have lifted the couch, leapt up fifteen feet, and grabbed the open ceiling beams, or even turned to mist, if she’d figured out how to do that, but what she had decided to do to show her powers was blast through the quarter-inch plywood and land catlike on the street below. And that would have been badass, to be sure. What Abby didn’t know was that while she’d been gone, the window guy had called, and he wouldn’t be able to come out to fix the windows for two weeks, so Foo had replaced the quarter-inch plywood with three-quarter-inch plywood, and instead of it just being tacked at the corners with small nails, he had screwed it down with stainless-steel screws, so as not to leave any vapor gaps for the rats to make an escape. Foo cringed and covered his eyes. She was fast, and preternaturally strong, but ninety pounds of vampire is still only ninety pounds. Did she hit the plywood Wile E. Coyote style, then slide down? Wah-wah-wah. Oh no. She hit the plywood, which bent precipitously, then splintered a bit before springing back and rocketing her all the way across the loft to the back wall, and there, she made a petite Goth girl impression in the sheet rock before falling forward, flat on her face, and saying, â€Å"Fucksocks,† into the rug. â€Å"You okay?† asked Foo. â€Å"Broken,† said Abby into the rug. He knelt over her, afraid to turn her head to see what damage she might have done. â€Å"What’s broken?† â€Å"Everything.† â€Å"I’ll get you some blood out of the fridge. You should heal pretty fast.† â€Å"‘Kay,† said Abby, still face-down, not having moved since the initial impact. â€Å"Don’t look at me, okay?† â€Å"No way,† said Foo, already in the kitchen. He took one of the plastic pouches of blood from the fridge and worked it back and forth. â€Å"Just a second. Don’t move, Abs, you might have broken bones.† He quick-stepped into the bedroom, grabbed a capped syringe off the cabinet where he kept the chemicals, flipped off the cap, and injected the sedative into the bag. â€Å"Here you go, baby. Just drink this and you’ll be fine.† Ten minutes later he heard someone coming up the stairs and realized that Abby had forgotten to lock the door. Jared bounded into the loft, stopped when he saw Foo kneeling over the prostrate Abby, who had a sizable pool of blood around her head, and began screaming. â€Å"Stop screaming!† barked Foo. â€Å"It’s not her blood.† Jared stopped screaming. â€Å"What did you do to her?† â€Å"Nothing, she’s fine. Would you move the maze off the bed and help me get her in there?† Sometime during the debacle, Abby’s skirt had flipped up and Jared pointed at an oblong lump that ran across her bottom and partly down her leg under the black leotard. â€Å"What’s that? Did she poop herself?† â€Å"No,† said Foo, wishing he didn’t know what it was, but he had already checked for himself. â€Å"It’s a tail.† â€Å"Whoa. Weird.† â€Å"Yeah,† said Foo. How to cite Bite Me: A Love Story Chapter 16, Essay examples

Ethical and Quality Control Requirements

Question: Discuss about the Ethical and Quality Control Requirements. Answer: Evaluation of several factors that can contribute towards inherent risk assessment As rightly mentioned by Soh and Martinov-Bennie (2015), the inherent risks indicates the risks on account of diverse error as well as omission in a particular financial pronouncement that can arise for a factor except control. The analysis of the present case study on the operation of One Tel reveals the fact that the inherent risk associated to One. Tel is essentially the risks stemming from intricate transactions as well as circumstances that have the need of the superior judgement relating to the financial estimation. As rightly put forward by Simnett, Zhou and Hoang (2016), The different factors that can contribute towards increase in inherent risk assessment include the character of the business of the respective clients, results of prior audits, preliminary and recurring engagement, allied parties, non-scheduled dealings, judgement obligatory to record diverse transaction and comprehension of transactions. Apart from this, the other facets associated to the occurrence of inherent risks comprise of different facets related to fraudulent practices in the processes of financial reporting as well as misappropriation of assets Simnett, Carson and Vanstraelen (2016). However, as mentioned in the case study, keeping record of different dealings or else financial transactions of business of the corporation One Tel in dissimilar nations namely, Australia, UK, and France, Netherlands, Hong Kong and Other turn out to be complex. Besides this, a number of competitors in the current telecommunication busine ss of Australia shape the nature as well as characteristics of the industry. However, this increases the overall inherent risk associated to the operations of the corporation, since there is stiff competition, affordable price and consequently lower level of revenue for each business unit (Heenetigala, De Silva Lokuwaduge and Armstrong 2015). Recognition of the factors acknowledged during the business risk assessment The features that can be detected during the considered business risk appraisal takes account of deliberate detection risk, audit risk, inherent risk in addition to control risk. However, the recognition of the recognized risk comprises of dimension of risk owing to material misstatement over and above the reasonable amount. Again, the satisfactory audit risk points out towards enumeration of readiness of the assessors to admit the material misstatements subsequent to achievement of the audit actions and unqualified judgment regarding the financial announcements. Again, the administration of the business can assume different thoughtfulness for the purpose of plan of the supply network, particular IT infrastructure, and issues associated to execution, precision of forecasting, presentation of suppliers as well as talents (Hay, Stewart and Botica Redmayne 2016). Yet again, the feature as well as nature and characteristics of the particular business that can be essentially documented fo r the business risk estimation. the process of estimation of the risk of the business consists of natural tragedy, terrorisms, and at the same time corruption, political unsteadiness, volatility of the price along with variation of respective currency (Hardidge et al. 2013). As mentioned in the case study on Tesco plc as well as its competitors As hereby mentioned in the present case study, the overall operating profit as well as the retained profits of the integrated firm is mainly (282.1). The dividend per share reflects negative declare of affairs negative. These reflect a risk in the recital of the company. Again, as per the consolidated balance sheet statement, it can be hereby ascertained that the total liabilities of the business has increased comparison the preceding year 1999. Besides the cash flow declaration for the business, for the period of the year 2000. Represent that cash slump from both functioning as well as investing actions. Consequently, the assessors need to t he value the cash flows to facilitate to evaluate the strategic business risks of the business. Factors contributing to an increased inherent risk assessment at account balance level From the case study on One Tel Phone Company, it can be noticed that there are various factors causing increased inherent risks at high level of accounting. This means that management decisions majorly lads to errors in form of discussing regarding the fiscal policies. Maintaining accounting equilibrium on various policies considers as one of the major factors that need proper attention by the management (Ge, Simnett and Zhou 2016). One Tel Phone Company management requires ways for recognizing the various types of inherent risks for making the risk assessment patterns. Balancing of accounts becomes difficult or impossible if there is improper identification of various inherent risks of any business firm. This further requires extreme high volume transactions for making the final adjustments for balancing the accounting aspects in the upcoming financial year. This acts as daily routine for One Tel Phone Company in carrying out its business operations in desired way (Carson, E., Fargh er and Zhang 2016). There occur various complex calculations presented in the financial reporting of every business organization that need proper recognition by the auditors in the audit process. Auditors working in particular business organization are responsible in conducting proper assessment regarding identification of intrinsic risks within the system in the near future. Various inherent risks of One Tel Phone Company can be easily identified by auditors from the financial reporting of business organization (Bdard et al. 2015). In case of One Tel Phone Company, it has been analysed that the telecommunication company possess unstable financial condition and commits severe mistakes at each financial steps that particularly leads to inherent risks. Inherent risks needs to be identified by both external and internal auditors for proper accounting balance level. It is important to understand the fact that management of various firms conducts prejudice practices for bringing balance of accounting transactions keeping in mind the involvement of complexity of actions. It is responsibility of the auditor for giving values to each of the management decisions in aligning with respective prejudices and respective risk assessment at the same time. Auditors are equally responsible to closely understand the mind-set of CFO and financial analysts working for any business organization. They need to recognize the several unusual transactions taking part in an accounting level of financial reporting in any business organization (Carson, E., Fargher and Zhang 2016). Any fraudulent activities need to be recognized by auditors while conducting meeting with CFO as well as financial analyst of any business organization. There are wide-variety of factors governing towards increased inherent risk assessment at given account balance level. Area of going concern and identification of factors When a particular business organization continues its operations and is not expected in liquidating, then it is considered as going concern theory. This theory will be applicable to all the business organization involving One Tel Phone Company. It is important for predicting the financial status of any business firm as determining whether firm is categorized into small going concern, medium going concern or any large going concern. This question requires complete understanding and fact regarding whether One Tel Phone Company is a going concern or not (Carson, E., Fargher and Zhang 2016). These aspects can be judged with the help of calculating financial ratio. This particular ratio enhances complete understanding on liquidity, profitability or solvency aspects in desired form. Particulars 1999 2000 Current Assets 296.2 628.1 Current liabilities 84.9 375.2 Debt 78.1 115.5 Equity 363 944.8 Net Income 11.3 -264.4 Earnings before interest and taxes 25.2 -230.4 Total Assets 363 944.8 Current Ratio 3.48881 1.674041 Debt-equity ratio 0.215152 0.122248 Return on equity 0.031129 -0.27985 Return on capital employed 0.090615 -0.40449 Graph 1: Current ratio of One Tel for the financial years 1999-2000 (Source: Created by Author) Current ratio is one of the liquidity ratios that help in gaining understanding of the ability of business organization in meeting the short-term obligations in the most appropriate way. The above graph clearly depicts the current ratio of One Tel Phone Company for the given year under study (1999 and 2000). There was decrease in current ratio from 1999 to 2000. Ideal current ratio is 2:1. One Tel Phone Company liquidity status is poor and it faces cash-related problems in their daily operational aspects (Hardidge et al. 2013). Graph 2: Debt equity ratio of One Tel for the financial years 1999-2000 (Source: Created by Author) Debt to equity ratio is one of the solvency ratios that help in understanding the ability of the business firm in meeting the long-term obligations in desired way. Ideal debt to equity ratio should be less. Higher debt to equity ratio reveals that particular business organization suffers high risk in their operations. The above graph depicts that One Tel Phone Company has positive sign and exposed to less risk (Carson, E., Fargher and Zhang 2016). Graph 3: Return on equity ratio of One Tel for the financial years 1999-2000 (Source: Created by Author) Graph 4: Return on capital employed ratio of One Tel for the financial years 1999-2000 (Source: Created by Author) Return on equity and return on capital employed are two of the profitability ratios help in determining the profitability position of One Tel Company (Hardidge et al. 2013). The above graph depicts that One Tel Phone Company has negative profit for the year 2000 and steady profit for the year 1999. Therefore, it is concluded by saying that One Tel Phone Company is medium going concern as it suffers from profitability as well as liquidity problems. Reference List Bdard, J., Coram, P., Espahbodi, R. and Mock, T.J., 2015. Does Academic Research Provide Sufficient Evidence in Support of Changes to the Audit Reporting Model?.Available at SSRN 2631676. Carson, E., Fargher, N. and Zhang, Y., 2016. Trends in Auditor Reporting in Australia: A Synthesis and Opportunities for Research.Australian Accounting Review,26(3), pp.226-242. Ge, Q., Simnett, R. and Zhou, S., 2016. Ethical and Quality Control Requirements When Undertaking Assurance Engagements.Available at SSRN 2837397. Hardidge, D., Abeysekera, I., Chew, T.G., De Santi, R., Egan, T., Ghandar, A., Jakubicki, P., Lee, A., Luckins, J., Ridley, C. and Shying, M., 2013. A guide to understanding auditing and assurance: listed companies. Hay, D., Stewart, J. and Botica Redmayne, N., 2016. The Role of Auditing in Corporate Governance in Australia and New Zealand: A Research Synthesis.Available at SSRN 2838066. Heenetigala, K., De Silva Lokuwaduge, C.S. and Armstrong, A.F., 2015, December. Independent Assurance of Sustainability Reports of Mining Sector Companies in Australia. In12th International Conference on Business Management (ICBM). Simnett, R., Carson, E. and Vanstraelen, A., 2016. International Archival Auditing and Assurance Research: Trends, Methodological Issues and Opportunities.Auditing: A Journal of Practice and Theory. Simnett, R., Zhou, S. and Hoang, H., 2016. Assurance and Other Credibility Enhancing Mechanisms for Integrated Reporting. InIntegrated Reporting(pp. 269-286). Palgrave Macmillan UK. Soh, D.S. and Martinov-Bennie, N., 2015. Internal auditors perceptions of their role in environmental, social and governance assurance and consulting.Managerial Auditing Journal,30(1), pp.80-111.

The Flea by John Donne and Porthyrias Lover by Robert Browning Essay Example For Students

The Flea by John Donne and Porthyrias Lover by Robert Browning Essay The two poems I am studying are The Flea by John Donne and Porthyrias Lover by Robert Browning. The authors of both these poems approach the theme of love in very individual and original ways. I am going to examine both. The poem Porthyrias Lover is about a woman called Porthyria who is strangled to death by her lover. The man telling the story seems to want to keep Porthyria by his side forever. He has very obsessive love for her. He is possessive and jealous and his deadly mind games bring nothing but heartache for Porthyria. He wants their love to last forever and plans on doing this no matter what it takes. We will write a custom essay on The Flea by John Donne and Porthyrias Lover by Robert Browning specifically for you for only $16.38 $13.9/page Order now Porthyrias Lover totally adores her. On her arrival she made all the cottage warm. When she entered the room she shut out the cold and nothing else mattered to him. Although its seems like he was been waiting for her he is very unresponsive as she called him and no voice replied. As much as her seems to adore her he describes her gloves as soiled, maybe saying that in his eyes she is not quite as innocent as she makes out to be. He has very complex feeling for Porthyria and there is a weird balance of power between the two of them. An example of this is around line 15. When he doesnt reply she is the one that puts his arm around her waist. He doesnt want to do it himself and is a bit distant. Maybe this is because he has found out something bad and cant bear to touch her at that time. He might be cautious or angry. Robert Browning gives the impression that something or someone is coming between them. The reader is given this idea when Porthyrias Lover is talking bout another who is love sick just as he is, the big difference being that the other persons love is all in vain. They are wasting their time because she is his and not theirs. This brings about the question is Porthyrias Lover about the man who murders or could it be about another lover the person that is keeping Porthyria away him. Finding out that Porthyria is his is something that takes him by surprise. At last he knew Porthyria worshipped him and he finally had her to himself. Porthyria is finally his and he wanted that moment to last forever, this being his motive for murder. At that moment Porthyrias soiled past had been forgotten and at last she seemed perfectly pure and good. We are given the impression that Porthyria has strayed before so maybe the lover thinks the only way to make her his forever is to kill her. He can only be sure she is his alone if she is dead. The lover makes killing Porthyria sound so shockingly simple and as if it was just something he had to do. The lead to the strangling is so matter of fact that it makes it seem the lover knew what he was doing. Everything was sorted in his head and he was in no doubt of what he had to do. The mine, mine made me think that he was going a bit crazy and that it was only a matter of time before he panicked and did something irrational. As soon as he had strangled her he started making excuses. It seemed as if he was trying to convince the reader as well as himself that his actions were justified as he repeats that he believes she felt no pain. He is in denial and feels he has to say things more than once to believe them. Afterwards he seems weary and checks to see if she is still there. I think that the simile as a shut bud holds a bee is saying that although Porthyria looked sweet and innocent on the outside there was something within her that was nasty. By killing her the evil inside could never be let out again. Now she is dead the lover is finally in control as he propped her head up and kissed her cheek. This is a weird reversal as at the beginning of them poem Porthyria was the one who put his arm around her. He finally has the power. .u3d3c9336a1fc1b3066fb28f8d5742575 , .u3d3c9336a1fc1b3066fb28f8d5742575 .postImageUrl , .u3d3c9336a1fc1b3066fb28f8d5742575 .centered-text-area { min-height: 80px; position: relative; } .u3d3c9336a1fc1b3066fb28f8d5742575 , .u3d3c9336a1fc1b3066fb28f8d5742575:hover , .u3d3c9336a1fc1b3066fb28f8d5742575:visited , .u3d3c9336a1fc1b3066fb28f8d5742575:active { border:0!important; } .u3d3c9336a1fc1b3066fb28f8d5742575 .clearfix:after { content: ""; display: table; clear: both; } .u3d3c9336a1fc1b3066fb28f8d5742575 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u3d3c9336a1fc1b3066fb28f8d5742575:active , .u3d3c9336a1fc1b3066fb28f8d5742575:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u3d3c9336a1fc1b3066fb28f8d5742575 .centered-text-area { width: 100%; position: relative ; } .u3d3c9336a1fc1b3066fb28f8d5742575 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u3d3c9336a1fc1b3066fb28f8d5742575 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u3d3c9336a1fc1b3066fb28f8d5742575 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u3d3c9336a1fc1b3066fb28f8d5742575:hover .ctaButton { background-color: #34495E!important; } .u3d3c9336a1fc1b3066fb28f8d5742575 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u3d3c9336a1fc1b3066fb28f8d5742575 .u3d3c9336a1fc1b3066fb28f8d5742575-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u3d3c9336a1fc1b3066fb28f8d5742575:after { content: ""; display: block; clear: both; } READ: How does Robert Browning convey the feelings of narrator for the woman in each of the two poems 'Porphyria's Lover and 'My Last Duchess' EssayPorthyria is no longer described as she towards the end of the poem. Her love for her lover for her lover is not her love anymore it has now changed to its love. The lover has finally got what he wanted, Porthyria as his possession. When Porthyria first enters the room she is described as gliding in which makes her seem graceful and elegant, a respectable woman. Although she seems like the typical perfect woman with her long yellow hair and smooth white shoulders she is also described as soiled which makes her seem dirty and impure. Maybe she is cheating on him or maybe on someone else were not told. The reader is not told why Porthyria is there or what prompted her visit but it seems like they were meeting in secret. The descriptions of the warm cottage, the blazing fire and the elm tops being blown about in the wind give the impression of a private secluded haven. In lines 22-25 it also gives the impression of there being another person who Porthyria does not want to leave because of pride. Someone who she doesnt really love and is just with because of materialistic objects. She loves him in vain. It also seems that they only met up occasionally, as passion would on prevail sometimes. Maybe she is scared to commit to her lover and let her struggling passion free. The poem is set out in a long organised continuous list. Maybe this is to show how the lovers brain is working. All this thoughts are sorted in his head and he is in a very rational state of mind. It is no surprise to himself he is going to kill Porthyria, maybe subconsciously he always knew. Throughout the poem there are rhyming couplets. Using these gives more emphasis at crucial points. Words are also out to the beginning or end of a line to also add more emphasis. Sentences are broken up to be left on their own. And strangled her is an example of this as is surprise. This puts more emphasis on it and gives the reader the impression that he was maybe doubting Porthyrias commitment. The repetition of mine makes the reader that Porthyrias lover is not sure if she is really his. He is trying to convince himself. It is written in the first person narrative, which makes the poem seem more meaningful. An interesting point is that is that the word he is never mention once yet the reader assumes the lover is a man. The word she is used a lot in the poem and maybe this is to show the lovers unhealthy obsession with Porthyria that contributes to her murder. I think that the ending is effective. The lover has finally solved his problem. He feels that he has done nothing wrong. They are finally together Porthyria has been dead all night and no one has found her so he thinks that he had done nothing wrong because if he had God would have punished him and someone would know by then. The lover says, we have not stirred he didnt say Porthyria had not stirred and I think this is because at last he feels himself and Porthyria are one. The second poem I studied was The Flea by John Donne. In this poem the poet is trying to seduce his mistress and convince her to sleep with him. There is a flirtatious love displayed within it. It is a very unconventional love poem. John Donne has made it very playful and witty which makes it seem as though he is trying to amuse himself and his mistress. It is just meant to be a fun poem. The poet chooses to use a flea as the metaphor of their love. The mistress is reluctant at loosing her maidenhood so he belittles her fears by comparing their love to a flea. He does this in three different arguments. The first stanza opens with a dramatic voice talking. He says that loosing her virginity is no big deal just like the flea. The flea has already suckd them both and mingled their bloods. They are already united within the flea so in a way it is like it has already happened. Then in the last three lines of the first stanza the poet tells is mistress that he regrets that the flea has done more than they will ever do, and it didnt have to woo her before doing it like he had. .u89f365498c0fd5c8515f5e895cf71d18 , .u89f365498c0fd5c8515f5e895cf71d18 .postImageUrl , .u89f365498c0fd5c8515f5e895cf71d18 .centered-text-area { min-height: 80px; position: relative; } .u89f365498c0fd5c8515f5e895cf71d18 , .u89f365498c0fd5c8515f5e895cf71d18:hover , .u89f365498c0fd5c8515f5e895cf71d18:visited , .u89f365498c0fd5c8515f5e895cf71d18:active { border:0!important; } .u89f365498c0fd5c8515f5e895cf71d18 .clearfix:after { content: ""; display: table; clear: both; } .u89f365498c0fd5c8515f5e895cf71d18 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u89f365498c0fd5c8515f5e895cf71d18:active , .u89f365498c0fd5c8515f5e895cf71d18:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u89f365498c0fd5c8515f5e895cf71d18 .centered-text-area { width: 100%; position: relative ; } .u89f365498c0fd5c8515f5e895cf71d18 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u89f365498c0fd5c8515f5e895cf71d18 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u89f365498c0fd5c8515f5e895cf71d18 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u89f365498c0fd5c8515f5e895cf71d18:hover .ctaButton { background-color: #34495E!important; } .u89f365498c0fd5c8515f5e895cf71d18 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u89f365498c0fd5c8515f5e895cf71d18 .u89f365498c0fd5c8515f5e895cf71d18-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u89f365498c0fd5c8515f5e895cf71d18:after { content: ""; display: block; clear: both; } READ: Why this is hell nor are we out of it? EssayIn his next argument he tells his mistress that they are more than married within the flea. He may have leaped up as he said Oh stay because she was about to kill the flea. If she killed the living walls of jet, meaning the flea, then she would also be killing him. He wanted her to spare it and the parts of them that are united inside it too. He is not talking about marriage but sex. He is trying to hurry her along to after the marriage with talk of the marriage bed. It is described as the marriage temple to make it seem more sophisticated. The flea finds itself elevated to a temple. Their love is enshrined in it. The poet then says that the flea is sacrilegious and that killing it would be a crime against god. She would also not just be killing the flea but herself and him as well. He wants to make her laugh and relax. The poet becomes very melodramatic and full of mock horror when his mistress finally squashes the flea. It seems to become dramatic as the stanza starts cruel and sudden. He tells her the only thing the flea was guilty of was biting her, its not important that it had bitten him. He acts as if it annoyed him because he resects her. He is using mock flattery. His last argument is that she has killed the flea, which is just like using her virginity, and it wasnt so bad. Neither of them are any worse off than before. She was worrying about nothing. He talks of her honour and how they shouldnt care what other people think. They flea died for them so they shouldnt waste any time. She should just yielst to him, just give in. Their parents grudge but they have come so far so why not just do it. There is a speaking voice throughout the poem, which makes it conversational. Lines are broken up mid sentence which help show the feelings and emphasise certain bits. The lines are not end stopped either which makes the reader read it faster. The poet can tell his mistress is not impressed so he then starts to babble. The poem picks up as he tries to convince her. There are rhyming pairs throughout until the last three lines of each stanza. These three lines conclude each argument before moving on to the next. Its becomes slower and more serious as dense reasoning is used to try and convince the mistress. Each of the three stanzas starts a new argument. The argument balances as if on scales as it goes back and forth. There is alot of me and thee used. When one is mentioned the other is too, maybe to show they are as one. Lofty language is used to describe such a lowly subject. The poet is trying to elevate it to make it seem more important like their love is. The poem also seems a bit too clever making the mistress and the reader doubt there is any warmth in it or if he really only wants sex. Lighthearted ideas are used to amuse. The Flea is an unconventional love poem that is very well thought out. Most love poems are about flowers and sunshine and this poem is about a flea, which is an original yet unusual idea. In both poems the poet is trying to convince someone that what the want or what they have done is right. In Porthyrias Lover he is trying to convince the reader, and himself, that killing Porthyria was the right thing to do where as in The Flea the poet is trying to convince his mistress to loose her maidenhood. Porthyria and the mistress are both made out to be respectable women. They dont want to do anything to harm their honour. For the mistress it means not loosing her virginity when she is not married and for Porthyria its not carrying on with two lovers as the poet suggests. There is a big contrast between the two poems. Although they are both love poems they are very different. In Porthyrias Lover the poet seems to really lover Porthyria but in the flea it seems as if the poet just wants to get his mistress in to bed.

Poulantzas’ Approach To The Capitalist State The WritePass Journal

Poulantzas’ Approach To The Capitalist State Abstract Poulantzas’ Approach To The Capitalist State ). He is also most famous for his Althusseran account of the States relative autonomy. The greatest appeal of his state theory can be seen in Britain as evident with the New Left Review which has enthusiastically taken up his cause (Clarke 1991). Although Nicos Poulantzas has on many occasions been referenced by the organized left, especially in relation to the state debate with Ralph Miliband and his support for Structural Marxism; it should be noted that neither of these contexts gives an accurate representation of this dynamic thinker (Walsh 2012). For example, the Miliband debate provides only a small reflection of Poulantzas’ theory of capitalist state. Despite being a renowned Marxist political sociologist, little is known about his theory of the state. Often, he is labeled as a class-struggle reductionist or structuralist; expressions that both fail to capture his complex theory of the state (Tabak 1999). While his theory is seldom discussed in certain areas of the academic circles; it is important to note that he is amongst the most important post-war theorists especially to those that seek to advance Marxist state theories beyond crude instrumentalism and subjectivism (Walsh 2012). For this reason, this paper provides a more rounded portrayal of Poulantzas’s theory of the capitalist state. In particular, the paper analyzes the nature of the capitalist state from Poulantzas’ perspective and explores how his pathbreaking analysis provides important insights to understanding the behaviour of the state and the states structure. Additionally, the paper examines the political implications of his view. The power bloc In order to get a clear perspective of Poulantzas’s state theory, it is important to first examine the power bloc. It is a widely accepted fact that for every society, there is an array of classes that form the dominant and dominated classes. In this respect, Poulantzas noted that the economically dominant class could only establish political dominance in the society through the capitalist state (Walsh 2012). He called this group of dominant class the power bloc which comprises of the capitalist class and the economically powerful classes. The interests of the power bloc are heteros and the make-up and balance of forces in the power bloc vary from state to state (Walsh 2012). Undeniably, for every society, there will always be contradictory and competing interests especially among the different ruling classes. Given the divergent interests of the power bloc, it becomes the states primary role to ensure that such conflicting interests within the power bloc do not undermine the dominance of the bloc as a whole nor pose threat to unity. It thus becomes the role of the state to unify and organize the various classes and to uphold their political interests without posing threat to unity. It follows that the class differences within the power bloc should not hinder the states task of maintaining unity and the subordinance of the subaltern classes. Poulantzas, in this respect, views the state as playing an active role in the reproduction of relations and maintenance of class-hierarchical status quo (Kalyvas 1999). Globalization and the State The current literature available on globalization takes a more liberal view of the State, the view that the State is a territorial institution with centralized control over its territories (Tabak 1999). According to the liberal view, the state is treated as an entity with its own unique power. Thus the power of the state becomes discharged when multinationals exit its territory (Tabak 1999).   Others, sharing a similar view, argue that when multinationals exit the state’s territory, the state may not necessarily become powerless as not enough capital has escaped the territorial states domain to make it obsolete (Lenin 2012).   This paper, however, challenges this view from Poulantzas’s perspective of the state. The paper argues that these approaches fail to identify the source of the State’s autonomy. Poulantzas’s state theory In the state theory, Poulantzas seems less concerned to disprove liberal democratic theory but rather criticizes the communist orthodox of state monopoly capitalism (Kalyvas 1999). Against this notion that the state is a pliant tool of monopoly capital, Poulantzas rejects the liberal pluralistic-functionalist approaches and draws the attention of mainstream political science to his complex social theory (Kalyvas 1999). According to Nicos Poulantzas, the power of the state is not confined in a more or less rational actor/institution and its nature is independent of its territoriality (Kalyvas 1999). The states institutionalism is a reflection of the contradictory social relations and the state draws its power from these (Kalyvas 1999). The state’s existence is thus driven by contradictory social relations and can be viewed as an institutionalized power relationship that transcends the national territory and the territorial nation; both of which are not essential for its existence. Poulantzas state theory reaffirms the view that the political realm is independent and is not, as articulated in classical Marxism, a reflection of the economic realm. He thinks of the states autonomy as central in all circumstances and independent of its territory. According to Poulantzas, the state is by definition a capitalist state, which constitutes the political unity of the dominant classes, thereby establishing them as dominant (Poulantzas 2000:   p.77 ). He rejects the so-called instrumentalist perspective articulated by Miliband on grounds that the states autonomy is independent of the ruling class and argues that the state is not a mere instrument of the ruling or dominant class, but is instead a separate entity with its own agenda. This state theory developed by Poulantzas has its roots in his political theory which proposes a regional approach to understanding and analyzing the different levels in a social formation: political, economic and ideological levels (Poulantzas 2000). His early work was, however, subject to criticism on the grounds that it was severely functionalist, failing to show exactly how the state fulfils its role as the factor of cohesion (Rooksby 2012). Critics also argued that Poulantzas’s approach presented the political and economic regions as distinct rather than simply analytically (Rooksby 2012). Criticism was also raised on grounds that his emphasis on determining the role of structural matrix in the capitalist society could not possibly be combined with the idea of contingent class struggle (Rooksby 2012). Poulantzas later work, state, power, socialism, is far more superior to his early work and represents a major advance in his thinking. In this final work, this Greek Marxist sociologist rejects the Althusseran underpinnings thereby overcoming many of the criticism raised with his early work. The starting point of the analysis of the capitalist state shifts from the assumption of a determinant structural matrix to one that examines the nature of relations of production in the capitalist mode of production (Rooksby 2012). With a shift in focus, Poulantzas was able to develop a more improved theory of the state. In this final piece, he provides a brilliant analysis of capitalism by conceptualizing a state that materializes and concentrates power and one that provides political space for class struggle (Poulantzas 2000). His analysis identifies the state as both the crystallization and locus of class struggle. On one side,  Ã‚   there is a class struggle over the organization of production, knowledge and over state’s juridical apparatuses (Poulantzas 2000). It thus becomes the states role to reintegrate and unify separated and individualized workers into one nation. On the other side, this integration takes place in the context of class struggle and the state and other institutions are a product of such struggle (Poulantzas 2000). His theory of the state is in response to the simplistic understandings within Marxism which posited that the state was a mere reflection of the dominant class and that state policy was a direct expression of this ruling class political will (Clarke 1991). In the Marxist scheme, the dominant class is one that owns or controls the means of production; and one in which its interests the state corresponds (Clarke 1991). That means that the dominant class may use the state power as an instrument to achieve its dominance in the society. Poulantzas disagreed with the Instrumentalist Marxist view and instead argued that the capitalist class was more focused on individual profit rather than maintaining classs power as a whole (Poulantzas 2000). Against the instrumentalist approach, Poulantzas argues that the state is more of a material condensation of the relationship among the various classes and that intrinsic class struggle of the capitalist system is hardwired into the states mainframe, thus the states actions and policy cannot be solely dictated by the ruling class (Poulantzas 2000). Owing a considerable debt to the notion of ‘cultural hegemony’ articulated by Antonio Gramsci; Poulantzas also argues that the repressing movements of the oppressed are by no means the states sole function (Salomon 2012). He argues that instead the state power obtains consent of the oppressed through class alliances, wherein the ruling class creates an alliance with the oppressed groups in order to obtain their consent. According to Poulantzas, the state is neither an instrumentalist depository of the ruling class-power nor a subject with its own abstract power; but is rather the centre of the exercise of power. Implications of this view Drawing from the above, it can be argued that the theory of the capitalist state comprise of three dialectical moments which, besides being autonomous, are also co-determinants of each other: the state as an institution, state as a function and state as a relation (Tabak 1999). The state is an institution in the sense of its embodiment in its personnel and apparatuses. As articulated by Poulantzas, the state is a centralized apparatus that comprise of an assemblage of impersonal and anonymous functions (Tabak 1999). While Members within institution-state may come from different classes, they follow a specific internal unity. The state can also be viewed as a function, with political, economic and ideological functionality (Tabak 1999). When the three categories are combined, the state performs an objective function, maintaining social cohesion in order to ensure continuing accumulation of capital.   There are many facets to this function of cohesion: first, the state serves as a function by creating what is referred to by Poulantzas as a â€Å"people-nation (Tabak 1999). Second, it serves as a function by playing a constitutive role in the reproduction of class powers (Tabak 1999). Given the above, it can be seen that the states functionality makes possible its institutionality. On the other hand, its institutionality is circumscribed by and casually embedded in its functionality (Tabak 1999). This coexistence is constantly reproduced by social relations, bringing us to the third moment, state as a relation. By state as a relation, Poulantzas implies that the state is a condensate of a relation of power between struggling classes (Tabak 1999). Conceiving the state as a relation, means grasping the fact that it is the resultant of contradictions and that it is destined reproduce class divisions. State’s autonomy These three moments define the nature of the state and the states relative autonomy. The three moments are also dialectically linked to two processes: first, the distinction between the political and the economic; relations of production-consumption-circulation and the state (capitalist mode of production) (Tabak 1999: p.139). Second, specificity of the constitution of classes and of class struggle in the capitalist mode of production (Tabak 1999: p.139) In capitalism, for example, the surplus mode of extraction requires a functionally autonomous state (Tabak 1999: p. 140). This is due to the fact that production and valorization of products in the market are two separate processes. While the control of production rests largely in the hands of the capitalist, product circulation and valorization in the global market is beyond the capitalists individual control. It thus requires the presence of an overarching force such as the state which will follow the overall logic of surplus creation and ensure surplus extraction (Tabak 1999). Criticism of Poulantzas state theory Several questions have, however, been raised with regard to Poulantzas approach and his emphasis on the states relative autonomy. Questions such as: how relative is relative? Under what circumstances can we consider it as more or less? More so, what form does the autonomy assume? These key questions have been raised in political discourse and Poulantzas approach critiqued as having not provided a satisfactory answer to them. Poulantzas approach has been critiqued as undermining his attempt to explain the nature of the relationship between the state and the dominant class. His approach is also seen as subverting the very concept of relative autonomy that it proposes. Poulantzas argues against structuralism stating that the states power is not located in the levels of structures but is instead an effect of ensemble of these levels (Miliband 1970). The concept of power is thus not applicable to one level of the structure. From this view, the state power does not in itself imply states articulation at other structural levels. It can only mean the power of determinate class whose interests are prioritized by the state (Miliband 1970). This, however, may not necessarily be true as it would imply depriving the state of its autonomy and turning it into a mere instrument of the determinate class. In line with this view, Poulantzas argues that the state possess its autonomy and structural specificity which cannot be easily reduced to an analysis in terms of power (Jessop 2009). This concession, however, does not seem to dissipate the confusion but rather serves to compound it. Failure by Poulantzas to differentiate between state power and class power is suggested to be the main reason for this confusion. While state power is considered ultimate, it is not the only means to maintaining and assuring class power. The lack of a clear distinction between class power and state power prevents his analysis from providing satisfactory answer to the above questions. By now, it is an acknowledged fact that Poulantzas tended to place a lot of emphasis on the differences and relations between class fractions in the capitalist state. While stressing this fact is important and needs to be comprehended in the analysis of the capitalist state; his emphasis on these differences and relations may obscure the underlying cohesion of these elements and critics may well use these differences to deny the fundamental cohesion of the capitalist class (Miliband 1970). Nonetheless, Poulantzas work has been particularly influential even though his legacy remains ambivalent. This is evident with his state theory, which has become a major contribution to the theoretical agenda on this topic, especially the so-called relative autonomy of the state. By creating space for a relatively autonomous Marxist political science and defining the nature of the capitalist state, the states structure and states autonomy; Poulantzas’s work has clearly been influential. Conclusion In essence, Poulantzas’s view of the state goes against instrumentalism which sees the state as solely depending on the dominant class or those that man its top structures. Rather, he sees the state from a functional view as fulfilling societys needs of which it is part. There is no doubt that Poulantzass state theory has been influential with his work often referenced by the organized left. He has made important contributions to the theoretical agenda on capitalist state by analyzing the nature of the capitalist state and providing important insights to the understanding of the state, its structure and its autonomy. Undeniably, Poulantzas has made important contributions to this theoretical debate. First, he made a major contribution to the capitalist state theory that goes beyond the conventional Marxist analyses. Second, he developed a broader approach to the state as a relation, viewing the state as the condensate of class relations. Additionally, his analysis of the current form of capitalist type of state can be seen with authoritarian statism which is far more evident today than before, especially in France and Germany. More recently, however, Poulantzas analysis seems to have been widely neglected. Over the past few years, much has changed with economic relations being transformed by globalization, compression of space and time, work reorganization and knowledge transmission which has been facilitated by information and communications revolution. There has been a shift of locus of relation away from the nation state which was fundamental to Poulantzass analysis.   Nonetheless, he remains one of the most important post-war theorists to advance Marxist state theories beyond crude instrumentalism and subjectivism. Reference Miliband, R., 1970. The Capitalist state: reply to Nicos Poulantzas. New Left Review Salomon, C., 2012. ‘The great transformation of the Poulantzasian modern capitalist state under Globalization’. Journal of Political Inquiry Kalyvas, A., 1999. ‘The stateless theory: Poulantzass challenge to postmodernism’. Journal of Hellenic Diaspora Tabak, 1999. ‘A poulantzasian approach to the state and globalization’. Journal of Hellenic Diaspora Carnoy, M. and M. Castells, 2002. ‘Globalization, the knowledge society, and the Network state: Poulantzas at the millennium’. Global Networks, vol. 1 (1) Jessop, B., 2009. Poulantzass state, power, socialism as a modern classic. [Viewed on 10th December 2012] available from http://dx.doi.org/10.1590/S0104-44782009000200010. Poulantzas, N., 2000. State, power, socialism. New edition. Verso Books Walsh, C., 2012. Nicos Poulantzas and the capitalist state. Scotland: International Socialist Group Lenin, 2012. Terrifyingly real: Poulantzas and the capitalist state. [viewed on 10th December 2012] available from leninology.com/2012/01/terrifyingly-real-poulantzas-and.html Rooksby, 2012. Towards a better theory of the capitalist state: combining blocks and poulantzas approaches. [Viewed on 10th december 2012] available from academia.edu/693189/Towards_a_Better_Theory_of_the_Capitalist_State_Combining_Blocks_and_Poulantzas_Approaches Clark, S., 1991. The State debate. Macmillan publishers.

ELECTROPHORESIS Essay Example | Topics and Well Written Essays - 1500 words

ELECTROPHORESIS - Essay Example These are size, voltage, supporting media and buffer (electrolyte). Smaller molecules travel faster than larger molecules while high voltages cause faster migration than lower voltages. However, there is a limit to the voltage that can be used as very high voltages cause the gel to melt and affect resolution. Various solid supports have varying pore sizes and sieving properties thereby affecting the rate of mobility. The lower the strength of the gel the bigger the pore size and vice versa. The buffer, which is a function of pH, also affects mobility and separation. Therefore, the success of the procedure depends on the correct choice of buffer. There are two main forms of electrophoresis namely moving boundary electrophoresis and zonal methods (Holme and Peck 1998, p. 133). The moving boundary method uses a U-tube that contains the analyte in the lower portion of the U while the arms contain the buffer. An electric potential is directed to the buffer and the movement of the boundary with time matches the velocity of migration of the analyte. The most common application of the moving-boundary electrophoresis is during the investigation of the physical traits of molecules as well as in large preparative processes. Conversely, zonal techniques involve the application of the analyte on a large area of supporting medium. They are named according to the supporting medium used and include the various types of gel electrophoresis (agarose gel, SDS-PAGE etc), capillary electrophoresis, affinity electrophoresis, and immunoelectrophoresis (Gault and McClenaghan 2008, p. 169). They are often employed in the separation of proteins cont ained in serum and urine, haemoglobin, isoenzymes, and nucleic acids. Electrophoretic equipment may vary in appearance, but all of them retain a common basic design that includes a tank, supporting media, an electrolyte compartment, electrodes, a stable supply of voltage, and safety gadgets. A cover is often included to minimize

The Controversy of college students use Ritalin and Adderal Research Paper

The Controversy of college students use Ritalin and Adderal - Research Paper Example The research establishes the risks of using Ritalin and Adderall illegally and recommends the establishment of strict laws to limit the illegal acquisition and use of prescription drugs in colleges. Thesis: The Ritalin and Adderall are the prescription drugs with the prescript. Even though it can help student focus on studying and get a good grade, it brings the risks of using that illegally. The policy maker should pass new stringent standards to limit getting those ADHD drugs in campus and prevent using those drugs illegally. In the recent past, the rate of using Ritalin and Adderall drugs within colleges has increased considerably causing a wide research about the possible effects of these drugs. Even though there are some high school students use the Ritalin and Adderall for their academic, the nonmedical use of those prescription stimulants is more rampant in college. According to the result of the research â€Å"Non-medical use of prescription stimulants among US college student†, 4.1% to 10.8% of college students were reported that using prescription stimulant nomadically during 2012. Although the drugs may be beneficial while used to improve the grades of learners within the learning environment, especially for students with the attention deficit hyperactivity disorder (ADHD), it is clear that these drugs can be abused within the public domain hence have negative consequences (Partridge, Bell, Lucke & Hall, 2013). The fact that these drugs are now available outside the health facilities makes it a big challenge to control their abuse within the public. The Ritalin and Adderall are prescription drugs with the prescript. Even though it can help student focus on studying to get a better grade, there is the risk of using the drugs illegally. Ritalin and Adderall are psycho-stimulant drugs that are commonly administered to people with the

Aerobic Capacity Lab Report Essay Example | Topics and Well Written Essays - 1250 words

Aerobic Capacity Lab Report - Essay Example acity is most commonly expressed relative to the body weight to account the difference in body size and to reflect a person’s ability to carry out weight bearing tasks. Aerobic capacity is an important component of physical fitness because it reflects the overall capacity of the cardiovascular and respiratory systems1 and the ability to carry out prolonged strenuous exercise2.From a health perspective, good cardio respiratory fitness has been shown to reduce the risk (in adults) of hypertension, coronary heart disease, obesity, diabetes, some form of cancer, and other health problems3. There is a genetic component to aerobic capacity. Some people inherent characteristics that give them a naturally high level of aerobic capacity than other people. However, the genetic component in relatively small, accounting for less than 30% of the difference between people4. Thus aerobic capacity mostly reflects the level of habitual physical activity. In particular, aerobic capacity reflects the vigorous, sustained (aerobic) physical activity in which an individual engages. Aerobic capacity of the youth can be improved with sustained periods of high intensity exercise5. Although the exact dose of exercise needed has not been identified, three or more sessions per week in which moderately high-intensity exercise is sustained for 30 min or more are probably required. Any dynamic exercise involving large muscle groups is suitable, such as rigorous walking, jogging / running, cycling, swimming, and vigorous games. Improvements are proportioned to the amount of moderately high intensity exercise completed per week. Three students serve as subjects. They included 2 male and 1 female. They took a treadmill test for a specified duration. Subjects were run to exhaustion and then cool down while walking on the treadmill. The gases analyzed were oxygen (O2) and Carbon dioxide (CO2). To calculate the rate of O2 utilization (VO2), in addition to the fractional concentration of the

Discovery learning and math teaching

Discovery learning and math teaching Castronova, J. (2002). Discovery Learning for the 21st Century: What is it and How Does it Compare to Traditional Learning in Effectiveness in the 21st Century? Action Research Exchange 1 (1). The researchers in this article developed a technology tool of discovery learning which called web quest. They defined discovery learning as the technique to learn and can be assistance by teaching process. Also, try to discover the efficiency of a technology depended on discovery learning. Researchers agree that the effective learning should be active more than passive, learning procedures, and how failure and feedback both are very important. And the last one was the depth of understanding. The researchers show that to theories which they depend it of discovery learning such as John Dewey, Jean Piaget and Levvygot sky and the teacher center of attention on students refection and he answered the student questions but as indirect way and students will not be learn if they didnt make mistakes, so they have to make these mistakes to learn very well. Additionally, researchers indicated the basic architectures, which found in discovery learning 1) case based learning, 2) incidental learning 3) learning by exploring 4) learning by reflection and simulation based learning. Moreover, this article covers the main 4 idea of focus 1) motivation 2) relation 3) achievement, 4) transference. A-Web Quest is a educational tool of an inquiring oriented activity that uses recourses from internet to complete and finish their projects. I think this resource is a valuable, reliable, and its very important because it shows that a Web Quest is a good tool for teachers and useful for integrating the technology in classroom. Rieber, L.P. (2009). Supporting Discovery-Based Learning within Simulations. Cognitive Effects of Multimedia Learning. (pp 218-228). IGI Global:USA This study describes the visualization in education simulations and this article covers how are using different simulation representations and creative designs to the simulations interface. Furthermore, researchers showed that the theoretical carry for visualization in learning for example dual coding theory and mental models. Additionally, to integrate and combine discovery learning technology and design of simulations needing to teach the teachers to support the computer based simulations. The teaching of mathematics lessons will be more interactive and effective if these simulations applied very well and in the correct ways in the classrooms. For what I read, I found that, the positive effects of discovery learning on students achievement happen if the simulations are attractive. This article good and emphasizes to the teachers how they can design computer based simulations lessons. Zakaria,E., Nordin, N. M.(2008). The Effects of Mathematics Anxiety on Matriculation Students as Related to Motivation and Achievement Eurasia Journal of Mathematics, Science Technology Education, 4(1), 27-30. Retrieved from http://www.iwm-kmrc.de/workshops/visualization/rieber.pdf One of the aims of matriculation education was to develop students knowledge competency and interest in the subject area (Nordin Zakaria) 2007. The authors in this study try to investigate if there was a statistical difference between matriculation students motivation and achievement when they were can classified depending to math anxiety levels and if the discovery learning has effective in learning progress. The researchers applies this study on (73 females and 15 male) students, they selected by volunteer and they know it is will not affect in their grades during the semester. About the results if this study was emphasized that there was a relationship between anxiety and achievement. Thats mean if mathematics anxiety scores increase then the achievement scores decrease and vice versa.. In addition, there are teaching procedures, which decrease mathematics anxiety suggested by Woodard (2004) (1) Create an environment in which students do not feel helpless and allow them to relax and rest. (2) Use cooperative grouping in the class room. It helps students to understand that others have the same problems as they do. (3) Teach at a slow pace. It can help students better comprehend the material during taught. (4) provide extra teaching sessions so that they are not left behind academically. Therefore, I believe that the teachers should try to think that how they could get less anxiety on the students by preparing a good environment in their class and try to find the best ways for teaching mathematics. Duggan, M., Husman, J. (2007). Online Mathematics Achievement: Effects of Learning Strategies and Self-Efficacy Zeitschrift fà ¼r Pà ¤dagogische Psychologie, 4(1), 27-30. This Research showed that the increased independence of an online or web-based learning environment may support students motivation for learning and enhancing the discovery learning in learning. The purpose of our article was to investigate students learning strategies and motivation in the framework of an online developmental mathematics course. Moreover, the cores of this study to help teachers and be more efficient and be more convenience with this strategy. The researchers applied the experiment 511 students with 89 participants completed all the surveys they answered all the questions. There are limitations and margins of this study one of them was the number of the sample with 89 students cannot generalizing the results. The second one was the timing of the survey time problem, which collected the data at the end of semester. According to this article I believe that a good web-based learning environment will be more effect thats what the results indicated in this article, on the other hand this research is valuable and currency. Matsuda, T. (2008). Using instructional activities game to promote mathematics teachers innovative instruction US-China Education Review, 5(3), 24-30. ISSN1548-6613 The author completed a study which improves teachers professional competence and he indicated that the curriculum or the instructional method should be changed and it is difficult to change the curriculum so he chooses the instructional method. The change on the instructional method should be based on three types of scientific resources approach for solving problems in daily life. First approach uses experiments and observations, the second approach uses mathematical concepts and procedures and the last approach is computer based approach, which is easy to understand and utilize than other approaches. (Matsuda, 2008) However, the purpose of this study to develop a training system to improve teachers professional proficiency through the design of lessons and created which will develop students ability to solve problem sloving questions using ICT (Information and Communication Technology) in (Matsuda, 2008) So, this a case study which the researcher use the model and concluding a meaningful graphs and tables which show what researchers indicated. This article also, was written very well with many references that help us as teachers to be professional development.

Feminist Criticism Essay -- Feminism Female Essays

Feminist Criticism Contemporary feminist criticism focuses on various specified topics such as women’s biographical writings, lesbian and literature, and the role of film and the media in portraying feminine gender. It is no longer easily separated into categorical goals by nationalities or land boundaries. Instead, feminist criticism is now characterized according to whether the category of "woman" is the major focus, or whether gender identity is defined by sexual and other identities as well. These other differences include, but are not limited to, cultural identities as a woman, lesbian writings, sexual preference, and religious differences. Most feminist critics today stress the fact that while all women are female, they are much more than that. Each woman’s goals and problems make them who they are by creating a unique identity. The understanding of woman not as a single group has led modern feminist critics to advocate personal and autobiographical criticism. It has also fostered contemporary gender criticism. Gender critics explore different categories of gender and sexuality. Gender criticism does not only focus on women’s gender and sexuality, but also includes male gender issues. Gender criticism began solely as feminist criticism, and now the two are still overlapped. Elaine Tuttle Hansen has applied feminist criticism in her analysis of "The Miller’s Tale" in a segment of the chapter "Women as the Same" from the book Chaucer and the Fictions of Gender. While earlier critics have focused on the humorous side of what they consider an innocent prank, Hansen focuses on Alisoun’s escape from punishment. At the same time she recognizes that it was only by accident that Nicholas intervened to receive the punish... ...astly, I found reference to Alisoun being objectified as something only to look at in two separate, yet closely related examples. First, in lines 3247-3248 of her portrait, the Miller states that "She was ful more blisful on to see / Than is the newe pere-jonntte tree." Secondly, Absolon refers to Alisoun’s objectification by stating "to loke on hir him thoughte a merye lyf" (3344). Valued objects are often set away from "normal" areas to look upon for enjoyment purposes. And happiness is sometimes thought to be achieved through viewing a thing of beauty; this is how these men viewed Alisoun. In conclusion, it is clear to see through these examples how Chaucer used animal characteristics to objectify Alisoun. Furthermore, I feel that Hansen’s views on "The Miller’s Tale" were correct and justified. Overall, I feel that the views expressed by Hansen are enlightening.

Music in the Late 90s and 2000s

Compare and Contrast Music in the Late 90s and 2000s As all of us know, music is the universal language. It is the art of expressing and interpreting an opinion or expression through the creation of sound; and it certainly has histories of many centuries and periods since the existence of human. The question is- would you consider music as a necessity in your daily life? Well, I would easily agree to it; with more quotes popping up recently that are related to music, such as, ‘No Music, No Life’, and ‘Music is the Essence of Life’.These quotes never fail to prove how strongly music influences in all our daily lives. However, music is created very uniquely and differently in every century and here we are now, to compare and contrast between music in the late 90s and in the late 2000s, in terms of the style, the presentation, and the genres. From J. S. Bach, to W. A. Mozart, to Ludwig Van Beethoven, to Claude Debussy, to Scott Joplin, to Miles Davis, to The Be atles, and then to the current Justin Bieber; these people are to be said as the ‘icon’ of their century.Each of them showed progression of music along the century; portraying individualistic in music of the century. As for music in the late 90s and 2000s, contrasts in their musical style and elements have been clearly shown through their music. Judging by the music in the late 90s music, musical instruments used seemed to be more original in the sense of its sound and timbre produced compared to the more technology infused music in the 2000s.This creates a huge contrast in both musical style as the sources of the sound produced is very much differ from each other. Besides that, the song lyric in the late 90s music can be judged as more meaningful compared to the 2000s- more insightful lyrics were incorporated in the 90s with more decent vocabulary compared to the more trendy lyrics style in 2000s with more foulness and wildness usage of vocabulary in expressing a music .This clearly shows the influences of generation in the past and in the present that indirectly influence their musical style in music of the century. Next, how do we audience perceive a kind of music? This is a general question with a general answer; which is presentation of the music itself. A presentation of the music is affected mainly by its outlook- recording. In the 90s, the quality of the music recording seemed to be not as excellent as the ones in 2000s; due to the progression of technology at that period.However, music in the late 90s provides and instills good vibes and awareness of quality music into the society with its positively contented music compared to music in the 2000s which concentrated more on catchy and trendy music videos for publication to attract more audiences while neglecting the education of music towards the society’s mind- videos are recorded with more sexual and violent actions incorporated are indeed deluding and corrupting the generation of the century.This shows how a presentation of a music recording affects the perception of the audiences towards the music in the late 90s and the 2000s. Last but not least, technology does play a critical role in music. Evidence could be seen with the increment of music genre that is well equipped with technology influences, especially through the music progress from the 90s to the 2000s.In the 90s, the music produced are played with more authentic musical instruments, such as piano/keyboard, drums, guitars, and etc; while in the 2000s, the music are more technology based with frequent usage of synthesizer which is capable of switching to many types of instruments’ sounds and even have a function to play the drum beats in the background while you play the synthesizer, thus replacing the role of few musical instruments.The dominance of contrast between music in the 90s and the 2000s is clearly seen with the genre of music the century focused on, which is pop/rap/rock music in t he 90s and trance/techno/rock metal music in 2000s which obviously prove the influences of technology in music of 2000s. Music is deeply engaged in our daily lives without any doubts, whether we are in the 90s or the 2000s.There is no ‘better’ music through comparison of music from different era. It is purely based on one’s preferences and understanding towards it. Music from the late 90s and the 2000s has strongly showed the musical style of their own with the contrasts found in their music, as stated above. Let us just embrace and appreciate music as it is instead of holding grudges towards them! Reference http://www. thepeoplehistory. com/90smusic. html